Flower show: Love the metal and foliage in the garden!

Recent images of shadow and color

shadow

Color

Showing my work

Recently I went to an Art Quilters Meeting. They offered the opportunity to show and tell, so I brought one of my pieces.

A friend of mine took this photo and sent it to me.

It's interesting for me to see what my quilt looks like with me holding it. This particular piece really sums up the essence of my work. This photo does not do it justice though, since the color is way off, but the energy and vibration has been captured quite well here. I spent time talking about the process of making this quilt which is, for me, the most important reason for making my art.

It's always good to show your work. Talking about it in public and seeing how other people react to it is all part of the creative process.

It was a wonderful meeting and a rewarding day.

Snow Impressions

“Some people come into our lives and quickly go. Some stay for awhile and leave footprints on our hearts. And we are never, ever the same.”

When sunlight falls just right

“My God, Sage. Your eyes. How have I never noticed them?"

That uncomfortable feeling was spreading over me again.  "What about them?"

"The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..."

He reached toward me but then pulled back.

"They're beautiful. You're beautiful.”    ~ Richell Mead, Bloodlines

Shadows and Light

Yesterday, I took out my camera and walked around my house admiring the light and shadows.
I love capturing an abstracted view.
I took many pictures and settled on these 3 to share today.

Why Mono Print?

I was first introduced to mono printing years ago by an artist who manipulated paint on a glass template with various tools and then ran the template through a press and printed her designs one at a time on paper.

Watching that, I thought, “It’s truly beautiful, but, no, it’s not for me!”


Yes, I enjoyed viewing the process.  It was very interesting and the final prints were quite beautiful.  But, that was the end of my interest, or so I thought.

Years later, in a class with fiber artist, Joan Schulze, mono printing came back into my life. I admit it, I started listening to her lesson with only half an ear because I already knew about this process. 

“Yada Yada Yada…mono-printing!”  This was nothing new. 

Except wait! What was she doing? She was not using a piece of glass as her template!  Hmmm, That’s good, I’ve always seen that rigid base as limiting and stuffy!  She pulled out and cut for herself a square piece of flexible plastic sheeting!  Flexible Sheeting? Really?

Next, she dug a teaspoon into some bright and bold color fabric paints! Plop! A dab of vibrant color was scooped out of a large jar and tapped onto a neighboring palette.  She was getting ready to play!  Okay, now she’d caught my attention!

What she showed me that day revolutionized me.  As I played with mono-printing on fabric, I became obsessed and passionate about designing and printing my own fabrics! 

I had only one dilemma. What was that, you ask? Well…..I hated my own marks”  What? How can you hate your own marks?

Okay, Have you ever drawn a straight line and said, “AH! I cannot even draw a straight line!” Well, it was something like that.  I would draw a few lines and then erase them.  I would scribble something and then throw the paper out.  More and more, I was avoiding any moment when I needed to make a mark, including in a sketchbook.  I just didn’t keep one. (“One” being a marker, or “one” being a sketchbook to mark in.)

At the same time, I was noticing and admiring all the brave mark makers around me. I was coveting their work. They were able to make such incredibly sophisticated marks!  They were the true artists.  They had no fear.  They were brilliant!  Yes, for a time there I had a chronic case of mark maker envy!

Now, as I was being drawn into mono-printing, what would I do about the hatred of my own marks? Wouldn’t it be glaringly obvious that I was a klutz at this? Oh, Woe is me!

Tentatively, I held up a 2“ brush loaded with Indigo colored fabric paint.  I bent slightly over the square sheeting.  I placed my feet squarely on the floor and then with my whole arm, I swept the brush in a full arc over the plastic.  Parts of the stroke were full of paint, other areas had a dry brush effect where I had unevenly pulled the brush lightly over the plastic. The entire move was deliberate and honest and I did it!

There rested my mark.  It was huge, in color, in paint and just sitting there. It looked so beautiful.  My excited brain said, “What? Wait, did I make that?” The less impressed voice inside me, said, “Just print it already!” and I did.

When I saw that the print was even better than the mark!  I thought, ”Hey, I could get used to this!”  With my hands lightly covered with paint, I stood there for the first time, loving my mark.  I have not been able to stop.  It was a pivotal moment in my art career.

Museum pictures that intrigue me

Close Cropping to see the details

Ideas and Inspirations

Vessel from the Art Institute of Chicago

Chicago, viewed through an art installation at the Art Institute of Chicago

Winter, viewed from an airplane

My Booth

I had a great season vending.  Look out next year....

I will be vending at....

Making Mini's

I've been making mini quilts.  I'm having fun doing it too!  start with fabric, add heat n bond fabrics, quilt it and stamp it. Voila! They are all 3" x 4" trading card size.

Modern slant

This is a quilt I designed using my mono-printed fabrics, upholstery fabrics and some batiked and commercial fabric.  I photographed this on a carpet in the library right after I finished sewing the binding.  The quilt falls in a rectangular pool of light that left the edges in shadow.

Each letter is satin stitched with a yellow gold thread, too.

Pear study

It's Craft Show Season!

These Photos are from the Apples & Crafts Fair in Woodstock, VT.  I intersperse my work with David Fall's woodcrafts.

My next Shows are:

29th Annual Thetford Academy Christmas Craft Bazaar, Academy Road, Thetford, VT

Saturday  November 23 from 9 - 2 pm  (non-juried crafts)

Pods for the Pulpit, Tracy Hall, Norwich, VT

Friday and Saturday after Thanksgiving from 10 - 5  (juried craftsmen)

Time is ticking....

Shop on Columbus Day Weekend at the Woodstock Apples and Crafts Fair, Woodstock, VT, where 100 juried crafters sell their wares.

I will be there!

Artist's Date. Hampton Beach, NH

On the design wall

I've been working in the studio today.
I've got two pieces I'm focussing on and I'm in love with how they are turning out. Posting them here will allow me to see them in a different light.

I'm really happy with how the day flowed today. I've got to keep the momentum going.

Yay!

Warming up for Fall Adventures

I'm getting back in the saddle. I'm in the studio. It's time to begin a brand new series and build my inventory up.
I'm starting off with fusible fun.  I'll be getting my creative juices flowing over the next few weeks and the outcome will be quilts!
I'll try a little bit of this, and a little bit of that.  Every little bit helps.

I've always known that you are an artist if you think art, but I also know you're more of an artist if you DO art. So, Let's do art!

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~Neil Gaiman